Dinosaurs, Babies, and a Sentient Toy Feature in Love, Death + Robots Vol 4

Whether you're fascinated by extraterrestrials, unnerved by infants, or intrigued by anthropomorphic adult toys with eyes, *Love, Death + Robots Volume 4* promises to cater to your eclectic tastes. This upcoming anthology series is set to premiere on Netflix on May 5, featuring ten new animated shorts that are sure to captivate and unsettle viewers in equal measure.

Love, Death + Robots Vol 4 Teaser Trailer

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Netflix has released a tantalizing teaser trailer for *Love, Death + Robots Volume 4*, showcasing a visually stunning array of scenes that promise more of the series' signature blend of surreal and provocative storytelling. In just a minute of footage, viewers are treated to a glimpse of various intriguing scenarios:

• An epic space battle or cosmic disaster
• A unique puppet rock band
• An adult toy brought to life with giant eyes in claymation
• A priest strolling alongside an alien creature with tentacles on a beach
• A tormented, possibly bionic woman accompanied by a cute fuzzball
• Menacingly large babies
• Dinosaurs clashing in a prehistoric showdown
• An alien invasion depicted through miniatures
• A disgusted cat observing the chaos

The series continues to be executive produced by Tim Miller, known for directing *Deadpool*, and David Fincher, acclaimed for films like *Seven* and *The Social Network*. Jennifer Yuh Nelson, who contributed to *Kung Fu Panda 2* and *Shrek Forever After*, returns as the supervising director, ensuring the high-quality animation and storytelling that fans have come to expect.

In a 2022 interview with Collider, Fincher expressed his hopes for the series' legacy, stating, "If the legacy of *Love, Death + Robots* is that there are a handful, fifteen people, ten years from now who became directors or became animators or became motion capture performers or doing voice work because they were such big *Love, Death + Robots* fans, that's all I care about right now."

He further emphasized the passion-driven nature of the project, saying, "This show was never going to pay for your Gulf Stream. You're either here because you want to be here or you're not here. We're hoping desperately to get to waste more of our lives toiling in obscurity."